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ASIN: 3037787511
Given its geographical location developed resources and multicultural history Tashkent the
capital of Uzbekistan continues to be one of the most important centers of Central Asia. Since
the Soviet era numerous efforts were made to conserve and restore architectural monuments that
speak to the rich ancient and medieval history of the region. By contrast the modernist
architecture of the 1960s-1980s which articulated the idea of a modern forward-looking
society was never perceived as heritage. With the arrival of the market economy and after the
independence of Uzbekistan in 1991 the architecture of the previous three decades which
focused on social issues and economy of means lost relevance. Today this modernist layer of
Tashkent is gaining recognition as a unique artistic cultural and social phenomenon that is
best equipped to reveal the specific character of the modernization of Soviet Central Asia.
More than just another "peripheral case" of multiple modernities or a point on the global map
of twentieth-century architectural modernism this architecture is relevant to the global
cultural scene reflecting the radical aspects of the Soviet social and cultural experiment.
This publication combines the materials of the Tashkent Modernism XX XXI project for which an
international team of architects historians and restoration experts joined forces on recording
and restoring the city's modernist legacy. This comprehensive book presents research results
alongside insights that contextualize the work in a broader framework of Soviet and Uzbekistan
history. It provides a strategic plan for conservation and adaptation of this important
architectural heritage which resonates with preservation ambitions of modernist architectures
on a global scale. The publication consists of two parts. The first part contains a series of
written and visual essays while the second encompasses twelve building monographs that present
histories protection inventories and intervention strategies for the selected buildings.
Initiated and commissioned by the Art and Culture Development Foundation of Uzbekistan.
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