A rare collection of more than 200 full-color and black-and-white souvenir photographs and
memorabilia that bring to life the renowned jazz nightclubs of the 1940s and 1950s  compiled by
Grammy Award-winning record executive and music historian Jeff Gold and featuring exclusive
interviews with Quincy Jones  Sonny Rollins  Robin Givhan  Jason Moran  and Dan Morgenstern.  
In the two decades before the Civil Rights movement  jazz nightclubs were among the first
places that opened their doors to both Black and white performers and club goers in Jim Crow
America. In this extraordinary collection  Jeff Gold looks back at this explosive moment in the
history of Jazz and American culture  and the spaces at the center of artistic and social
change. Sittin' In is a visual history of jazz clubs during these crucial decades when some of
the greatest names in in the genre?Billie Holiday  Charlie Parker  Ella Fitzgerald  Dizzy
Gillespie  Miles Davis  Louis Armstrong  Oscar Peterson  and many others?were headlining acts
across the country. In many of the clubs  Black and white musicians played together and more
significantly  people of all races gathered together to enjoy an evening's entertainment. House
photographers roamed the floor and for a dollar  took picture of patrons that were developed on
site and could be taken home in a keepsake folder with the club's name and logo. Sittin' In
tells the story of the most popular club in these cities through striking images  first-hand
anecdotes  true tales about the musicians who performed their unforgettable shows  notes on
important music recorded live there  and more. All of this is supplemented by colorful club
memorabilia  including posters  handbills  menus  branded matchbooks  and more. Inside you'll
also find exclusive  in-depth interviews conducted specifically for this book with the
legendary Quincy Jones  jazz great tenor saxophonist Sonny Rollins  Pulitzer Prize-winning
fashion critic Robin Givhan  jazz musician and creative director of the Kennedy Center  Jason
Moran  and jazz critic Dan Morgenstern. Gold surveys America's jazz scene and its intersection
with racism during segregation  focusing on three crucial regions: the East Coast (New York 
Atlantic City  Boston  Washington  D.C.)  the Midwest (Chicago  Cleveland  Detroit  St. Louis 
Kansas City)  and the West Coast (Los Angeles  San Francisco). This collection of ephemeral
snapshots tells the story of an era that helped transform American life  beginning the move
from traditional Dixieland jazz to bebop  from conservatism to the push for personal freedom.