Traditional detective fiction celebrates the victory of order and reason over the senseless
violence of crime. Yet in spite of its apparent valorization of rationality the detective
genre has been associated from its inception with three paradoxical motifs - the double the
labyrinth and the locked room. Rational thought relies on binary oppositions such as chaos and
order appearance and reality or truth and falsehood. Paradoxes subvert such customary
distinctions logically proving as true what we experientially know to be false. The present
book explores detective and crime-mystery fiction and film from the perspective of their
entrenched metaphors of paradox. This new and intriguing angle yields fresh insights into a
genre that has become one of the hallmarks of postmodernism.
