By the time Roger McGuinn David Crosby Chris Hillman and Michael Clarke entered the studio
to begin work on this album they were basically falling apart at the seams. Ladyfriend a song
written by Crosby had just failed miserably as a chart single despite the fact that he lobbied
hard to get it released. This - coupled with the fact that he made what the rest of the band
considered an embarrassing political speech onstage during their set at the Monterey Pop
Festival and then sat in with rivals the Buffalo Springfield the following day - pushed
McGuinn and Hillman in particular to the limits of their patience. Then for the Notorious
sessions Crosby presented a song called Triad written about a threesome and although McGuinn
and Hillman reluctantly agreed to record it they later decided to place a less controversial
Goffin & King pop number called Goin' Back on the album instead. Crosby declared the song banal
and refused to sing on it. A few too many studio flare-ups later McGuinn and Hillman finally
screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also
brooding during this period was drummer Michael Clarke who had always borne the brunt of the
other band members' rage while recording. He was by far the least accomplished member of the
band musically and when they suggested bringing in a studio drummer to embellish some tracks
(Jim Gordon later of Derek & the Dominos fame) he finally declared he'd had enough and moved
to Hawaii to get away from the music scene altogether. So McGuinn and Hillman were left to
cobble together an album with the help of producer Gary Usher (known for his work with Brian
Wilson the Millenium Sagittarius and many others). The fact that it turned out to be one of
the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck or
a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help
to construct their masterpiece.
