This groundbreaking book analyzes the extent to which feminine ideals of beauty power and
spirituality in southern Nigeria translate into unique demonstrations of corporeality
extravagance transfiguration and wellness. Considering a culture of ceremonial seclusion
fatness decoration and identity construction as it is revealed through mbopo a mysterious
ritual practiced in Ibibioland Nigeria this work seeks to isolate a visual aesthetic that is
specific to Ibibio and Cross River cultures. Through the analysis of regional aesthetic forms
Daughters of Seclusion addresses the connections between mbopo ritual and larger conceptions of
aesthetics artistry and literacy in Ibibio provinces. Its cross-disciplinary analysis fuses
West African women's studies and art history to discuss nuances in modes of female
representation and conceptualization in Ibibio art and life.
