The volume investigates the visualization of both ritual and decorative aspects of
auspiciousness and protection in the form of celestial characters in art and architecture. In
doing so it covers more than two and a half millennia and a broad geographical area
documenting a practice found in nearly every corner of the world. Its transcultural approach
aims at gaining insights into cultural dynamics and consistent networks and defining new
historical mindmaps it examines reciprocal effects and aspects of interwovenness in art and
architecture with a view to reconceptualizing their established realms. The collection opens a
window on a phenomenon in the history of art and architecture that has never before been
considered from this perspective. The book focuses on a transcultural iconography of aerial
spirits goddesses and gods in art history pursuing a methodologically innovative approach in
order to redefine and develop the practice of identification and classification of motifs as a
means to understanding meaning and attempting to challenge the categories defined by academic
disciplines.
