This book provides a critical introduction to François Laruelle's writings on photography with
a particular focus on his two most important books on photography: The Concept of
Non-Photography and Photo-Fiction a Non-Standard Aesthetics. By unpacking and contextualising
these works this study provides a useful starting point for students and scholars who want to
better understand Laruelle's larger project which he calls non-philosophy or more recently
non-standard philosophy. With clear and concise explanations of the basics of non-philosophy
Laruelle and Non-Photography demonstrates how Laruelle's thought challenges standard
philosophical approaches to photography and culminates in a novel theory of non-photography.
