Alchemistic material research: Myriam Holme (*1971) walks a fine line between painting and
sculpture. Her concept of painting is based on the experimental and processual with both being
observed from the material perspective. Her painting can be thought of as expansive and
incomplete it does not settle into what already exists but remains in constant motion. Holme
has already received numerous awards for her work and her pieces are on display in national
and international museums and exhibition spaces. The monograph Myriam Holme 2010-2020 features
works from the past decade along with essays by Christiane Schu¨rkmann and Jörg van den Berg.