llusion and imagination: although Sador Weinsclucker's (*1957) deserted interiors seem as if
they have been abandoned they also look as if someone is about to return at any moment. This
ambiguity and emptiness is simultaneously uncanny and vital: Weinsclucker knows how to lure the
viewer into his oil paintings forcing us to look carefully and hunt for their stories. Whether
there really is a story behind every painting is anyone's guess but Weinsclucker nevertheless
offers a way to start the search and to begin a dialogue with the image.
