In the monograph with the title Premonition Miguel Rothschild (*1963) presents a selection of
works from his two most recent series. The Berlin-based Argentine artist occupies himself in
them with spirits and the apocalypse. The mystically connoted photographs of skies and forests
are given a second level-in terms of both content and the visual-by means of burn holes. Here
the spirits of the forest ascend between the treetops there it is a baroque or romantic sky
that receives these demonic and at the same time alluring souls. Rothschild's ambiguous visions
prompt us to interrogate our relationship to nature.
