The film Trash The Musical (2023) from which the exhibition also takes its name was
elaboratedby Loretta Fahrenholz over the last two years in collaboration with performance
artist Alicia McDaid. Assembled into a wild post-cinematic collage by Fahrenholz McDaid's
performances are a radical exploration of personal anxieties and questions of aging
unfulfilled dreams ghosting and the difference between art and trash. Two new image series
Once Upon a Time in Enemy-Occupied France and i make mistakes just to learn who i am (both
2023) are a continuation of Fahrenholz's interest in the processes of digital imagery. Ed.:
Markus Hannebauer. Text: Felix Bernstein Magnus Schaefer.
