This work focuses upon two propositions expressed by the painter Franz Marc.
Thoughtfully-illustrated rigorous historically-based and well-written Brealey's book offers
a well-structured and well-researched analysis of the art historical and philosophical
literature involved. The writing is lucid as is the attempt to synthesise art history and
philosophy. Attempts such as these are not made often enough in the literature when in fact
such endeavours ought to be fundamental to philosophical aesthetics. The entire project is a
sound one and should become essential reading for professional scholars and students of
aesthetics.
