In which ways are environments (post-)socialist and how do they come about? How is the
relationship between the built environment memory and debates on identity enacted? What are
the spatial material visual and aesthetic dimensions of these (post-)socialist enactments or
interventions? And how do such (post-)socialist interventions in environments become
(re)curated? By addressing these questions this volume releases >curation< from its usual
museological framing and carries it into urban environments and private life-worlds from
predominantly state-sponsored institutional settings with often normative orientations into
spheres of subjectification social creativity and material commemorative culture.
