From objects to sounds choreography is expanding beyond dance and human bodies in motion. This
book offers one of the rare systematic investigations of expanded choreography as it develops
in contemporaneity and is the first to consider expanded choreography from a trans-historical
perspective. Through case studies on different periods of European dance history - ranging from
Renaissance dance to William Forsythe's choreographic objects and from Baroque court ballets to
digital choreographies - it traces a journey of choreography as a practice transcending its
sole association with dancing moving human bodies.
