Can sound be perceived independently of its social dimension? Or is it always embedded in a
discursive network? »Postcolonial Repercussions« explores these questions in form of a
collective conversation. The contributors have collected sound stories and sound knowledge from
Brazil to Morocco listened to resonances from the Underground and the Pacific Ocean from
Popular Music and speech recognition. The anthology gathers heterogeneous approaches to
emancipatory forms of ontological listening as well as pleas for critical fabulation and a
practice of care. It tells us about opportunities perspectives and the (im)possibility of
decolonised listening.
