In the global context of the Great Acceleration things and people have been on the move more
than ever before. Moritz Frischkorn takes a fresh look at recent performing arts practices that
deal with everyday objects on and beyond the stage. Contrasting these practices with the
business field of logistics he examines the aesthetic and ethical concerns of moving things.
Drawing on concepts from performance as well as Black studies and philosophy and based on an
artistic-research methodology the book formulates a notion of more-than-human choreography as
an ecologically informed infinitely indebted practice of living within the material world.
