David Weinberg argues that American experimental theatre practice was one key factor in the
development of an important phase in the history of the alternative theatre movement in Britain
during the period 1956-1980. His analysis draws on key concepts and theories in the work of
Elizabeth Burns (1972) and Baz Kershaw (1992 1999). The main historical developments he covers
are the activities of the experimental theatre groups associated with Jim Haynes Charles
Marowitz Nancy Meckler and Ed Berman four expatriate American theatre practitioners living
in Britain during the time period 1956-1980. In addition he also examines important
American-based groups-Living Theatre (1947) Open Theatre (1964) La MaMa (1960) and Bread and
Puppet (1965) -which performed in Britain and which made an impact during the same period as
well as a wide range of indigenous British groups-Pip Simmons (1968) Foco Novo (1972-1989)
Joint Stock (1974-1989)- institutions-RSC (1961) Royal Court (1956)- and individuals such as
Max Stafford-Clark Thelma Holt John Arden Ann Jellicoe and the Portable playwrights
(1968-1972) which in one way or another were influenced by American exemplars. Weinberg's study
is essential reading for everyone seeking a more comprehensive and dynamic understanding of the
forces which shaped the alternative theatre movement in Britain.
