Sunah Choi's new monograph brings together works the artist has made in the last five years
revealing a process of development that is defined both by continuity and by productive
contingency: while Choi's interest in spatial (re)organization is an abiding feature of her
oeuvre each work plays with specific antitheses. The artist is currently formulating these
antitheses with a particular focus on materials like glass wood and metal which she uses to
develop scenarios and objects that oscillate between sculpture architecture and interior
decoration. The book begins with a sequence of graphic compositions that probe the affinities
between individual works in terms of their formal aesthetics this is followed by a selection
of exhibition views and a performative series of photographic images. It includes an interview
with the artist and two essays as well as a richly illustrated catalogue raisonné. Sunah Choi
(b. 1968 in Busan Korea) was awarded the Hannah-Höch Förderpreis in 2018. She lives and works
in Berlin.
