This book compiles commissioned texts about exhibition historiesat Henie Onstad Kunstsenter in
Norway from 1968 to 2002. It Must Out is an attempt to disclose the institutions politics of
identity through the writings of external curators who took part in a residency at the Center.
The themes in the projects analyses such as technology dematerialization identity and
representation broaden curatorial perspectives within contemporary art exhibition processes
and institutions tied to the project of modernity.
