NATIONAL BESTSELLER • Kurt Vonnegut’s masterpiece Slaughterhouse-Five is “a desperate
painfully honest attempt to confront the monstrous crimes of the twentieth century” ( Time ).
Selected by the Modern Library as one of the 100 best novels of all time • One of The Atlantic
’s Great American Novels of the Past 100 Years Slaughterhouse-Five an American classic is
one of the world’s great antiwar books. Centering on the infamous World War II firebombing of
Dresden the novel is the result of what Kurt Vonnegut described as a twenty-three-year
struggle to write a book about what he had witnessed as an American prisoner of war. It
combines historical fiction science fiction autobiography and satire in an account of the
life of Billy Pilgrim a barber’s son turned draftee turned optometrist turned alien abductee.
As Vonnegut had Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut he
experiences time travel or coming “unstuck in time.” An instant bestseller
Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature a reputation that
only strengthened over time despite his being banned and censored by some libraries and
schools for content and language. But it was precisely those elements of Vonnegut’s writing—the
political edginess the genre-bending inventiveness the frank violence the transgressive
wit—that have inspired generations of readers not just to look differently at the world around
them but to find the confidence to say something about it. Authors as wide-ranging as Norman
Mailer John Irving Michael Crichton Tim O’Brien Margaret Atwood Elizabeth Strout David
Sedaris Jennifer Egan and J. K. Rowling have all found inspiration in Vonnegut’s words.
Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people
especially—want to write.” George Saunders has declared Vonnegut to be “the great urgent
passionate American writer of our century who offers us . . . a model of the kind of
compassionate thinking that might yet save us from ourselves.” More than fifty years after its
initial publication at the height of the Vietnam War Vonnegut’s portrayal of political
disillusionment PTSD and postwar anxiety feels as relevant darkly humorous and profoundly
affecting as ever an enduring beacon through our own era’s uncertainties.
