Borges gained his first lessons in philosophy from his father while still a young boy - an
intimate home schooling that grew into a long-term obsession. Its ubiquitous presence in his
thought and writing has made him one of the most distinctive literary philosophers in the West
expressing itself in a wide-ranging array of fictional essays metaphysical parables
philosophical poetry and multifaceted literary artifacts. In contrast to the prevailing
perception of Borges as a dogmatic sceptic for whom philosophy serves solely aesthetic or
rhetorical purposes this volume proposes a novel approach for understanding Borges as an
intellectual together with an interpretive structure for comprehending his work based on a
systematic examination of the complex relations between literary writing and Western philosophy
in his oeuvre. Offering a reading of selected Borgesian texts in the light of the Western
philosophers of whom he is most enamoured and analyzing the way in which philosophical
theories underpin his texts it illustrates the fundamental tension of Borges' writing as a
manifestation of what he calls the intellectual instinct.