Only five manuscript copies of the Hebrew book of fables Meshal Haqadmoni have survived and all
five were scribed and illuminated within 15th century Ashkenazi communities. Yet the text
including the captions for 82 illustrations was written 150 years earlier in Spain by Isaac
ibn Sahula. It turns out that the styles of the illustrations in these five copies while
distinct from each other are rooted in the then prevalent styles of German popular illuminated
books.The manuscripts provoke several questions: Were the original copies of Meshal Hakadmoni
in Spain illustrated? If not how come that all the known 15th century Ashkenazi copies are
illustrated? And more generally what caused the renewed interest in the book of fables at such
a geographic and time distance? What was the relation between the production of these copies
particularly the illustrations to the surrounding German culture? The study by Simona
Gronemann attempts to answer these and other questions. It is the first time that a hypothesis
is being made as to a possible Ashkenazi prototype manuscript and as to further copies that
might have existed in Germany and in northern Italy. All in all it provides an exciting journey
through 15th century art of book illumination in central Europe as affecting a Hebrew secular
book.
