AROTIN & SERGHEI's Infinite Screen reflects contemporary visuality. As an evolutive
inter-medial installation it investigates the idea of the infinite beyond the limits of our
screens the origins of light and the iconography of digital information. Like luminous and
transcendent symphonies of light their intermedial works of art describe both the macrocosm
and the microcosm of our world using screens as symbols and portals to infinity within
constantly evolving parameters of scientific mythological philosophical and architectural
frameworks. This book retraces the artist's supraliminal work-in-progress from the intermedial
paintings of red green and blue Light Cells-the DNA of today's visual language-to the
monumental installations at Ars Electronica the Venice Biennale the Fondation Beyeler the
Kunsthistorisches Museum Vienna and at Centre Pompidou Paris.
