The clandestine festival QueerBeograd created spaces of critique and transformation in order to
foster a politics of interconnectedness. Ivana Marjanovi¿ explores the festival's transnational
activist cabaret between 2006 and 2008 which was devised directed and produced by Jet Moon a
founding member of the QueerBeograd collective. This pioneering study demonstrates how the
process of staging QueerBeograd Cabaret created a shared space between queer anti-fascism and
No Borders politics contributing to the advancement of the intersectionality perspective
beyond identity. The study thus investigates historical genealogies of gender and political
difference in the former and post-Yugoslav space bringing these into relation with global
social and art movements.
