The fingering on nearly all 'modern' editions of the Carcassi studies Op. 60 to a very large
extent if not almost completely derives originally from Llobet who in his Rowies Paris 1914
edition was the very first to publish RH fingering for them. Many modern editors just put their
own names on what was Llobet's fingering thus silently claiming it as their own. A process
being continued even to this day.We are pleased to present a carefully restored facsimile of
this edition from Llobet's library with all his fingering and emendations
intact.Instrumentation:guitarop. 60
