17 Beiträge resultierend aus den Vorträgen gehalten beim Internationalen Symposium
¿Mikrotöne: Small is Beautiful (30.6.-4.7.2023) in Salzburg. Inhaltsverzeichnis: Agustín
Castilla-Ávila: Prologue p.4 Navid Bargrizan: Just Intonation Dastgah-Music and Scordatura
in Kupferteich p.7 Katarzyna Bartos: Between freedom and structure in Iluzje by Adam Porebski
p.14 Jonatan Carrasco Hernández: The use of Pure Data for the automatic creation of microtonal
scales used in the fixed media work Tenoni p.22 Jim Dalton: Privileging Interval over Scale:
Using Free-Style Just Intonation to Achieve Scale-less Bohlen-Pierce p. 29 Katarzyna
Daszkiewicz: Does microtonal mean apocalyptic? Pawel Mykietyn's Ladnienie for baritone
microtonal harpsichord and string quartet p. 37 Karin De Fleyt: Temporality layers in Xi for
flute solo by Karlheinz Stockhausen p. 52 Vytautas Germanavicius: In Search of Archaic Code as
a Symbol of the Interval Structure in Folk Music Scales p. 58 Nikolaus Gerszewski: The
Microchromatic Perspective p.75 Martin Gut: 60EDO in Günther Rabl¿s tape composition
Landschaft mit Pianist p. 82 Franck Jedrzejewski: Petr Chernobrivets and the 20-Tone Universe
p. 94 Gerhard Klösch: The Sliding Keyboard a new pure tonal instrument part 2: Applications
p.104 Klaus Lang Martin Ritter Alyssa Aska Pablo Mariña: Imagination as the instrument of
the composer: developing the Frescobaldi enharmonic keyboard enhancement p.112 John Schneider:
The global Guitar Music of Lou Harrrison p. 125 Ulf-Diether Soyka: Queer Pitch? p. 135
Siegfried Steinkogler: Ludus Microtonalis - a new Method to learn the Basics of microtonal
Music p. 145 Luke Villavicencio: Simplifying the Understanding and Composition of Microtones
with Microtonal Planes p. 150 Richard Whalley: Microtones and Landscape: Introducing Lud¿s
Chuch written for Stephen Altoft¿s 19-div Trumpet p. 157
