In her film installations Isa Rosenberger weaves traces of history - forgotten or marginalised
often feminist and Jewish women's history - into multi-perspectival historiographies in which
gaps and voids are constitutive. In the film realisation Rosenberger uses montage: linguistic
and visual documentary and fictional narrative levels switch fragment and join up again
always tied in with current issues and discourses. Taking this into account the exhibition in
Kunsthaus Graz is oriented towards the idea of the 'stage' as a performative space as a space
of memory and experience that should be activated. Shadows Gaps Voids is Isa Rosenberger's
most comprehensive show to date and features six older works and a new piece a co-production
with Stiftung Bauhaus Dessau.
