Federico Barocci has firmly entered the canon of late Renaissance and early Baroque art
history. Yet even after monographs and exhibitions his working procedure still resists
complete understanding. The following book is a structural examination of the working practice
of Federico Barocci shedding light on each of the kinds of drawings he produced in the
execution of a typical painting. The book seeks out the logic of Barocci's practices which may
seem idealized but is nonetheless quite real. In the end this book provides a master key for
understanding the function and constitution of Barocci's remarkable graphic production.
