Stephen Waddell embraces the entanglements and conundrums inherent to photographic mediations.
For decades he has reinvigorated street photography and reportage through keen observation and
an empathetic eye for social subjects. Initially a painter and filmmaker Waddell brings
questions about the very notion of realism to picture-making. He often references pictorial
histories such as early photography or classical painting acknowledging that observation is
informed by recognition and an unconscious awareness of existing images.Working with both
analogue and digital tools Waddell's highly considered approach involves experimenting
continuously with new processes and materials. The subtlety of his photography is amplified by
a painterly sensibility that emphasizes qualities of light. Illumination becomes a reference to
photographic perception as well as to human vision. Consistent across his work are close
affinities between a print's subject matter and its material qualities. At times Waddell's
layered images allude to the act of photography itself-as evident in his large gelatin silver
prints depicting underground caverns lit from within.Waddell takes on the challenges of having
single images carry dense meaning. Looking at one of his mise-en-scènes is a richly rewarding
sensory experience as close scrutiny animates uncanny details. While his images are to some
extent staged chance elements infiltrate each picture. He finesses the dynamic between
controlled and wild elements in images at once precise and ambiguous. Helga
PakasaarCo-published with Scotiabank Photography Award Toronto
