This book addresses core questions about the role of materials in general and of wood in
particular in the construction of string instruments used in the modern symphony orchestra -
violins violas cellos and basses. Further attention is given to materials for classical
guitars harps harpsichords and pianos. While some of the approaches discussed are traditional
most of them depend upon new scientific approaches to the study of the structure of materials
such as for example wood cell structure which is visible only using modern high resolution
microscopic techniques. Many examples of modern and classical instruments are examined
together with the relevance of classical techniques for the treatment of wood. Composite
materials especially designed for soundboards could be a good substitute for some traditional
wood species. The body and soundboard of the instrument are of major importance for their
acoustical properties but the study also examines traditional and new wood species used for
items such as bows the instrument neck string pegs etc. Wood species' properties for musical
instruments and growth origins of woods used by great makers such as Antonio Stradivari are
examined and compared with more recently grown woods available to current makers. The role of
varnish in the appearance and acoustics of the final instrument is also discussed since it has
often been proposed as a 'secret ingredient' used by great makers. Aspects related to strings
are commented.As well as discussing these subjects with many illustrations from classical and
contemporary instruments the book gives attention to conservation and restoration of old
instruments and the physical results of these techniques. There is also discussion of the
current value of old instruments both for modern performances and as works of art having great
monetary value.The book will be of interest and value to researchers advanced students music
historians and contemporary string instrument makers. Musicians in general particularly those
playing string instruments will also find its revelations fascinating. It will also attract
the attention of those using wood for a variety of other purposes for its use in musical
instruments uncovers many of its fundamental features.Professor Neville H. FletcherAustralian
National University Canberra
