The Contest of the Fruits - Guangtian Ha Kartoniert (TB)

A satirical poem about the rivalry of various fruits becomes a point of departure for investigations of tolerance and identity in a pluralistic world. The Contest of the Fruits takes a nineteenth-century Uyghur satirical poem as a departure point for investigations of language politics religion humor resilience and resistance in a pluralistic world. Composed at the crossroads of multiple civilizations and empires and born of the Uyghurs' liminal position at the edges of Islam and the frontiers of China The Contest of the Fruits captures a world in which borders are gateways rather than d ividing lines. The poem highly performative embellished with verbal flourishes and featuring the ribald rivalry of such fruits as mulberry pomegranate quince and pear may be the first Turkic rap battle. The book which accompanies a project by the art collective Slavs and Tatars brings together artists academics poets and performers to create a visually compelling volume that deploys different registers (high and low) to examine subjects often considered mutually exclusive (for example religion and hip-hop). It offers essays by leading scholars and journalists that cover topics ranging from language politics to the prominence of Uyghur rappers in China. Shorter pop-out texts take a more tentacular approach to Uyghur culture sampling poetry by diaspora Uyghur poets and discussing such subjects as calligraphy Uyghur pop music mäshräp and the Sufi practice of Samāc. Copublished with Haverford College